
The story of the Steinheim is of a complete human cycle of the effort to understand the world through the collecting, naming and organisation of things. Objects were removed from their context, collected together and displayed.
And then the process unravelled backwards, the artefacts were taken, lost, sold and stolen - dispersing back into the world. But now they carry with them the remnants of a new chapter in their history. An obsolete catalogue number is evidence of their having been part of a collection and having once stood in for some part of our history, as an example of Eskimo hunting tools, or early Chinese footwear.
The building was also a collection. It was made with 7,000 stones collected by hand from within a three mile radius of Alfred by President Allen, his wife and the students of the university. In order he said, to demonstrate the diversity of the earth on which we stand.
I'm thinking of making a sculpture that follows this process. I am going to collect and number 7,000 stones from within three miles of my studio. I will show the pile in an exhibition at the end of my residency and will encourage people to take stones away with them so that the collection, in the same manner as the Steinheim collection, disperses back into the homes and attics of local people.